
12 am – 1
INIHAYAG ng Light Rail Manila Corporation (LRMC) ang nakatakdang pagpapatupad ng taas-pasahe ang Light Rail Transit Line 1 (LRT-1) simula sa Abril 2, 2025.
Ang Diyaryong Pinagkakatiwalaan
12 am – 1
INIHAYAG ng Light Rail Manila Corporation (LRMC) ang nakatakdang pagpapatupad ng taas-pasahe ang Light Rail Transit Line 1 (LRT-1) simula sa Abril 2, 2025.
PINAALALAHANAN ng Land Transportation Office (LTO) ang mga motorista na ikabit ang kanilang plaka sa kanilang mga sasakyan matapos makatanggap ng mga ulat na may ilang may-ari ng sasakyan na sadyang hindi ito inilalagay kahit na na-release na.
Ayon kay LTO Chief, Assistant Secretary Atty. Vigor D. Mendoza II, ang pagmamay-ari ng sasakyan ay may kaakibat na responsibilidad, kabilang ang agarang pagkakabit ng plaka kapag ito ay na-release na.
“Sa pakikipag-ugnayan natin sa PNP, sa pamamagitan ng kanilang Highway Patrol Group (HPG), at maging sa sarili nating operasyon, natuklasan natin na may mga sasakyan na sadyang hindi kinakabitan ng plaka kahit na naibigay na ito,” ani Asec Mendoza.
“Hindi po souvenir items and mga plaka, dapat ikabit po ito sa ating mga motorsiklo at mga sasakyan as soon as na-release na ito ng mga car dealers at the LTO. Meron pong penalty kapag hindi po ito nasunod ayon sa batas,” dagdag niya.
Ipinunto ni Asec Mendoza na alinsunod sa Republic Act 4136 o ang Land Transportation and Traffic Code ng Pilipinas, may multang P5,000 para sa mga may-ari ng sasakyang hindi nagkabit o hindi wasto ang pagkakabit ng kanilang plaka.
Ayon pa kay Asec Mendoza, bagaman nagkaroon ng problema sa supply ng plaka simula noong 2014, naresolba na ang backlog para sa mga plaka ng mga four-wheel vehicles.
Samantala, inaasahang matatapos na rin ang backlog para sa mga motorsiklo bago o sa Hulyo ngayong taon.
“Meron po kaming database ng mga plakang na-release na at magbabayad po kayo ng P5,000 na penalty kapag napatunayan na tinamad or talagang wala kayong balak na ikabit ang mga plakang na-release na sa inyo,” babala ni Asec Mendoza. (PAUL JOHN REYES)
A brand new Nosferatu emerges from acclaimed director Robert Eggers’ mind, and for him, it’s also a story close to his heart. “In many ways, my adaptation of Nosferatu is my most personal film. A story, not engendered by me, but one that I have lived with, within, and dreamed about since childhood. I often felt I had the same un-jaded creative spark of a first time filmmaker when finally making the film because of the years of thought I have put into it. I feel more fortunate than ever to have had the chance to make it with my trusted team of long-time collaborators,” he says.
Eggers recalls experiences of folk legend still alive in rural Europe, and for Nosferatu, his goal was to instill that old, mythic terror that has haunted mankind for generations. “The folk vampire is not a suave dinner-coat-wearing seducer, nor a sparkling, brooding hero. The folk vampire embodies disease, death, and sex in a base, brutal, and unforgiving way. This is the vampire I wanted to exhume for a modern audience,” he explains.Watch the trailer here: https://tinyurl.com/yck67hvdNosferatu is a gothic tale of a young woman, Ellen (Lily-Rose Depp), haunted by visions of an ancient, terrifying vampire (Bill Skarsgård), who is infatuated with her, and bound her to him in his obsession.This causes untold horror in Ellen’s small German town of Wisburg.Eggers’ fascination with Nosferatu was instilled early, as he fell in love with F.W. Murnau’s 1922 film, Nosferatu: A Symphony of Horror as a child. As he grew older he started to write an adaptation of it in high school, and has been looking for an opportunity for it to come to fruition. “I intended to return to Nosferatu again, but it never happened,” he says.He finally finished his draft after finding success as a director, creating critically acclaimed films such as The Witch and The Lighthouse. He draws upon the original Nosferatu film, and that film’s influence, Bram Stoker’s novel Dracula, but shifts his focus on the beauty-and-the-beast tale of the vampire Nosferatu and Ellen. “As an evolution of the story, the thing that is most significant is that this is Ellen’s film. She is a victim not only of the vampire, but of nineteenth century society,” says Eggers.Casting the perfect Ellen was vital to the film, and for Eggers, none embodied his vision as fully as Lily-Rose Depp. “Her audition was so strong. I was crying, the casting director was crying, the videographer was crying. It was clear she was going to be powerful as this character,” Eggers recalls.Depp was completely enthralled by the script, and she was very eager to make the role hers. “There’s something about this script and this movie that feels very real, visceral, and human, which is interesting because we’re talking about demons, and ghosts, and this other realm. That’s what I think is the scariest part about the movie: just how real the nightmares are,” says Depp.Watch the horror unfold as Nosferatu haunts Philippine theaters starting February 26. Follow Universal Pictures PH (FB), UniversalPicturesPH (IG), and UniversalPicsPH (TikTok) for the latest updates.
(ROHN ROMULO)
(ROHN ROMULO)